Artists talk transcript- Brook, Marsh, Moss
A solo show at The Vanner Gallery
3.5.24 – 8.6.24
Artists talk transcript
Brook Marsh Moss at the Vanner Gallery, 23rd May 2024
Thanks to David Christie for the lovely introduction. Thank you especially for sharing the photo of your daughter with my sculpture, Launch, nearby in the Close, at Salisbury Cathedral, in 2016. It is captivating that 8 years later he is a...
Brook, Marsh, Moss
A solo show at The Vanner Gallery
3.5.24 – 8.6.24
Brook, Marsh, Moss considers the places where land meets water, specific riparian areas like riverbanks and salt marshes, and the life that flourishes there.
A characteristic feature of these areas is lichen. The presence of lichen signifies clean air and is found in profusion in the places that have inspired the work...
Walking the St Michaels Way, for the upcoming Tremenheere Sculpture Park exhibition
Published December 2022
Following on from Together We Rise at Chichester Cathedral, a group of sculptors, all members of The Royal Society of sculptors, are exhibiting at Tremenheere Sculpture park in July 2023.
My work will be inspired by the pilgrimage route which passes through the sculpture park, and especially the sacred wells which can be found along the Cornish stage of the...
A new studio!
Published December 2022
Studio relocation August 2022
It has been wonderful to be by the sea for 8 years, and we have moved to a beautiful Chapel in Tisbury.
It is an inspiring space with a brook nearby and is next to a public footpath through the stunning Wiltshire countryside. I am already developing a body of work about lichen and trees, and the meadow grasses...
Together We Rise at Chichester Cathedral July- September 2023
Published December 2022
Together We Rise was an idea which galvanised a group of members from the Royal Society of Sculptors who met on zoom throughout the pandemic. Our curator, Jacquiline Creswell, worked with all 26 sculptors to bring about Together We Rise at Chichester Cathedral. Please follow this link to see works in location.
Photo by Paul Gonella
Quercus...
Insider Snapshot into 2022: Unpacking the Archive
Unpacking my archive 2022 – an opportunity to share a quick overview of my work to date
Currently, I am engaged in research for a new chapter of work. In doing so, I unpacked a part of my archive to best understand my linear progression to date and provide context to new developments.
Archive of the Natural World
Lichen suspended in the kitchen with Vermeer 38
The new...
Exciting Launch Announcement: No Woman is an Island
No Woman is an Island is a curated collection of works by seven award-winning female artists: Cath Bloomfield, Phoebe Cummings, Nicky Knowles RWA, Debbie Lee, Rebecca Newnham FRSS, Sarah Purvey, and Patricia Volk RWA FRSS.
I am delighted to be included in this exhibition, curated by Jacquiline Creswell, at the Vanner Gallery, which brings together mid-career women artists in a show which...
The Stunning Renovation of a Legend: Quercus
Quercus has a new glass skin, added in 2021. The glass was painted in response to experiencing ancient woodland. At winter solstice 2020, at the end of a year like no other we had ever known, I visited Kingley Vale, an ancient yew forest on the South Downs. The limbs of yew entwined and grew together as if they were a single organism, and created primitive vaulted spaces which are natural...
Work that creates Wonder: the beautiful Aeolian in progress
Roots restaurant asked me to design a
suspended glass installation earlier in 2021. Roots is run by Jan and Stacey,
who are passionate about food and art. My studio is not far from Roots, we are
both on the top of a cliff in Southbourne, and it gets breezy here by the sea!
Aeolian references the repeated rolling motion and sound of the rush of the wind, and the waves of the sea which...
An astounding collection: The Rise series
Rise is a series of sculptures that stand upright and are characterised by profiles that draw undulating waveforms. The symmetrical waves separate the negative space and the stacked forms. A rhythm is created by the repeated volume and line, and the whole has a taught glass skin that separates the airspace and the mass, washing it in colour, a painted response in glass enamels.
The...